Friday, January 15, 2021

Friday Fiction: Brad and Wilma

The following is a draft excerpt from my novel, Gyeosunim. If you haven't read my previous novel, Songsaengnim: A Korea Diary, be warned that while there are no spoilers, you may be missing some context.

Photo: Google Maps street view
Though my friends worked in the downtown district of Myeongdong, which is on the north side of the Han River, their company placed their residence on the south side, in Gangnam-Gu, a swanky part of the city. Modern highrises were clustered together in this newly renovated part of the town and was one of the cleanest neighbourhoods that I had ever seen in Seoul, if not all of Korea. Judging by the Porsches, Mercedes, Land Rovers, and Maclarens, this type of resident would not stand for burning garbage on their streets. As our taxi headed to their apartment, I even spied a Lamborghini dealership.

Money, indeed.

“We live right by a subway station for a line that takes us to Myeongdong and even has a stop just to the north of Insa-Dong,” explained Brad, “but the line weaves its way under the south side and has so many stops that it’s faster to take a cab. We use the subway to get to and from the office but it gets packed between the two destinations.”

The cab let us off along the Nambu Expressway, near the wide boulevard that is Yeongdong-daero, at the southern end of Gangnam-Gu, and despite protestations from Brad and Wilma, I insisted on paying the driver. I wanted to break in my T-card, and I discovered that this trip took almost all of the money that I had on the card. We walked a block further along the expressway to a 7-Eleven, where I was able to recharge the card. This time, I only added another ten-thousand won to the T-card, vowing to only use buses and subways. Wilma confirmed that this would be enough to last me my time in Seoul.

My friends’ apartment was massive for the two of them, covering about five times the size of my largest apartment in Chŏnju. We stood on the top floor of the fourteenth-floor unit that occupied the northeastern end of the northeastern-most building—number 208—in the complex. Like so many apartment buildings in Korea, the hallway for each floor had units on only one side: the hallway for the floor ran along the opposite side of the building and ran with glass windows that looked outward. They could also slide open, allowing air to circulate. From this view, I could see more apartment complexes through which I could just make out bits of the Han River. The view mainly displayed the massive buildup of highrises that sprang up in this modern half of Seoul.

“Make yourself comfortable, Roland,” said Brad, leading me into their ample living room. The view only afforded similar buildings in this apartment complex. “Wine? We have a full-bodied Shiraz from Australia.”

“Sounds lovely.” When we lived in Korea, in 1997, finding decent wine was difficult, if not impossible. When I speculated that my friends brought wine back from a visit to Wilma’s home country, I was told that there were lots of wine stores in Seoul that offered quality wines from around the globe.

I looked around the living room while I waited for Brad and Wilma to return with wine and snacks. Several traditional Korean folk masks made various faces at me from above a leather sofa that rested along a long wall. On a shorter wall was a stand upon which an elaborate stereo system was set. Brad was a serious jazz aficionado and I could see a vast assortment of CDs and vinyl, alike. A large stand, opposite the sofa, held a 65-inch flat screen TV. Both Brad and Wilma loved movies of all genres.

“Your company sure puts its teachers up in fine digs,” I said as we sipped the wine.

“Teaching is such a small part of what we do now, Roland,” said Brad, who was reaching for a cracker and some Brie. “I direct our Seoul office. Wilma is the administrator for all of our teachers. There are eight full-time teachers who come from around the globe. Wilma and I teach one or two classes a week, or fill in for a teacher who is sick. I mostly look after advertising for the business and promoting it. Wilma takes care of hiring the teachers, scheduling, and course material.”

“So the teachers don’t live like this?”

“They have nice apartments but they’re smaller.”

“Not that he’s gloating or anything,” added Wilma with a smile on her face. It was obvious that they were happy about their living space and their careers.

“It’s a far cry from living and teaching in Chŏnju, that’s for sure,” I said.

“I shudder when I think of the shoe-box of an apartment that was offered by Happy Time,” said Brad, recalling the hagwon where both he and Wilma had worked in 1997. “A bedroom, a bathroom, and a fridge. That was basically it. Now, we have a living room, dining room, full kitchen, large bathroom with a full tub and a walk-in shower, a guest bathroom, and two spare bedrooms. You should have taken our offer to stay here, Roland.”

“You said you had a guest room but you didn’t mention how palatial this place is,” I said. When I had booked my flight, Brad told me not to get a hotel room, that he and Wilma had a room for me. I thought of the old place where I stayed with Jamie and Jody, and wanted something bigger, to myself. Also, when Brad had mentioned that they were on the south side of the Han River, far from the downtown core, I told him of my intentions to see some of the places I had missed and how I wanted to be right downtown. Looking at their living arrangement, I may have accepted their offer, had I known.

“Long-gone are the days of cheap hagwons in dumpy neighbourhoods, Roland. We’ve gotten to a point in our lives where living well is paramount.” He put his arm around Wilma to stress the point.

Dinner was a grilled T-bone steak with rice and vegetables, with lots more of the Australian Shiraz. Dessert was an upside-down pineapple cake with Ethiopean coffee. When we were finished I offered to help with the cleanup but Brad insisted that I sit and keep Wilma company while he rinsed the plates, loaded them in the dishwasher, and packed up leftovers.

Wilma and I reminisced over past trips we had taken together, over the years, our most-recent one being in Venice, in 2016. It had been all of our first time in this part of Italy, though we had been to Rome and Tuscany together, in 2004 and 2009, respectively. We had stayed in a privately rented apartment, in the Arsenale district, away from the tourists but a short enough walk to Piazza San Marco. While we marvelled at the architecture and culture, we found that Venice was our least-favourite city in all of our travels, to date, in Italy. Restaurants served mediocre food at extortionist prices and the service was contemptible. My biggest disappointment was the gelato, which was a huge disappointment, especially when compared to the quality of Florence and San Gimignano.

What had made that trip so enjoyable, despite these disappointments, was the company. Wilma and I reiterated that no matter where we were, we always found joy when she, Brad, and now Fiona, and I were together.

When Brad returned from the kitchen, he had a bottle of Connemara in one hand and two tumblers in the other. “I know you like single-malt Scotch,” he said, “but I have Irish blood in me. This is a peated, single-malt whiskey, and I hope you like it.” Indeed, it was good. Wilma stuck to wine, having displayed her dislike of malts, be they from Scotland or Ireland, when we all lived in Chŏnju.

As the evening drew to a close, I thanked my hosts for a wonderful afternoon and evening, but said I should get back to my hotel for a good night’s sleep. Tomorrow, I was going to set out for Chŏnju.

“Are you going to seek out Mr. Kwon right away?” asked Brad.

“I’m going to wait a couple of days,” I said. “I’d like to see if I can find Mr. Lee, if he still lives in Chŏnju.” Before I left Korea, in 1999, Mr.Lee—my student from Kwon’s hagwon and later, a private student—and I had exchanged addresses. For a while, when I was living in Ottawa, he and I exchanged letters every couple of months. Mr. Lee had always been better at written English than spoken English, though I learned, over time, that it was more an issue of confidence than anything else. Mr. Lee was a proud man who didn’t want to say anything and appear to sound foolish.

When I sold my Ottawa home and returned to Scotland, I wrote Mr. Lee and provided my new address. I never heard back from him. Whether he had not received my letter and was still using my Canadian address or not was never discovered. Finding him now, after all this time, was going to be difficult. I still had his old address, in Hyoja-Dong, but there was no telling whether he still lived there or had moved. For all I knew, he may no longer live in Chŏnju.

When Kwon had met with Brad and Wilma, last month, he provided them with contact information to pass on to me. Though I had made the decision to come back to Korea, I hadn’t convinced myself that I would reach out to Kwon when I got here. I also had Soo-ah’s contact information, and I told myself it would be good to see her again, but I suspected that in doing so, she would reach out to Kwon.

“I also have plans to visit Jeonju University,” I said. When I worked at this university, there were a couple of western teachers who planned to make a life’s career with the Foreign Languages department. I wondered if they were still there. “I still have my identification card.” I reached into my wallet, no more than an RFID sleeve that was filled with credit cards and various identification, and pulled out the old plastic card. The print on the card had faded and the photo was dulled. With my Korean hair cut, I looked younger than the thirty-three years that I was. I was also about thirty pounds lighter, and my younger face showed lean lines from a year of having already lived in Korea.

“I don’t think they’ll accept it,” joked Brad.

“If I meet anyone I know,” I said, “I’ll show the card. It’ll be fun.”

“Where are you staying?” asked Wilma.

“I’ve rented a small apartment near Gyeonggi-Jeon, in Chŏnju’s Hanok Village.” Chŏnju had its own traditional neighbourhood, just like Bukchon Hanok Village, that surrounded the old Chosun Dynasty palace. In 1998, it showed its thousand-year-old age, with crumbling roads and cracked foundations. Over recent years, the city revitalized this neighbourhood and turned it into a tourist destination, with the ancient palace maintaining its reputation as the jewel of Chŏnju. “I’m looking forward to rediscovering that old kalguk-su restaurant." This was the restaurant that I was shown on my first day in Chŏnju, in 1997, when I was too jet-lagged to remember its location. Over that year, I had sought this noodle restaurant out and finally found it some months later. It became one of Tanya’s and my favourite restaurants, and we would go to it with Wilma and Brad as a special treat.

In 1998, I introduced it to my fellow teachers at Jeonju University and we would visit it at least once a month. The thick noodles in a spiced broth was a hit.

When I made my plans to revisit Chŏnju, I searched the Internet to see if I could find the restaurant. I typed kalguk-su into Google, along with best restaurants in Jeonju, and discovered that the restaurant still existed. The old, traditional-styled house had been torn down—it had always looked dilapidated, as though it was bound to be condemned—and a new building took its place. The restaurant was even given a name: Baetaerang, which was the Korean pronunciation of Veteran. The sign on the grey-painted siding, above brown bricks on what was now a square building with a flat roof, read that the restaurant had been established in 1977. I had found the kalguk-su restaurant’s exact location by using Google Maps street view. My rented apartment was less than a ten-minute walk.

“I plan to have dinner there,” I explained to my friends. “It was the first meal that I had in Chŏnju in 1997; it’s going to be the first meal that I have in Chŏnju in 2019.”

As the evening drew to a close, I thanked my friends for their warm hospitality and rode the subway back to my hotel. I had to change trains at Euljiro Station, where the second train took me to City Hall, just a few blocks away from my hotel. The long day had caught up with me and I had no trouble drifting off to sleep.

Tomorrow was going to be another big day.

Tuesday, January 12, 2021

Strange Dreams (Are Made of This)

If your dreams are anything like mine, these days, they quickly turn nightmarish when either someone gets too close to you or people aren't wearing masks.

Just the other night, I dreamt that some of my coworkers gathered in my backyard for happy-hour drinks, much like we do, virtually, through Google Hangouts. But in this dream, I started to get stressed when my colleagues started filling my backyard and I noted that some of my colleagues, who live in Québec, shouldn't have crossed the border to be with me in the first place.

The most distressing part of that dream was when I discovered that my beer fridge was nearly empty, and the remaining cans were seriously dented or half-crushed and could not be opened.

Yeah, a real nightmare.

All of my dreams of late seem to be COVID-related, where my personal space is invaded or that once-familiar environments are seriously altered such that I can't find my way around.

The other week, in real life, I searched the LCBO Web site for non-alcoholic beer, as I'm planning a Brown Knowser video review for Dry January, of which I'm not taking part but feel I should see what alternatives are available for those who are.

On the LCBO site, there was a variety of various alcohol-free brews from which to choose and my eyes fell upon two: one from Ontario and one from the UK. According to the LCBO, there were plenty of the Ontario brew in stocks but only one bottle of the British one.

I figured that by the time I reached my local liquor store that UK bottle would be gone, so I decided to wait until the next day to grab the Ontario brewery cans.

That night, I dreamt that I went shopping in my LCBO and it turned into a nightmare.

First of all, the store had been completely redesigned and was more like an IKEA labyrinth than a typical LCBO. To add to the confusion, arrows on the floor would suddenly change direction and I was constantly finding myself walking in the wrong direction.

The store was crowded, with people squeezing between one another and making direct contact. And, to top it off, no one was wearing a mask and I could feel their moist breath in the air.

At one point, I screamed, "Put on a f*cking mask!" which silenced everyone.

One maskless person looked at me and said, "Sure, as soon as you do the same."

I put my hand to my face and realized that I wasn't wearing a mask, either. It was in the breast pocket of my coat, where I always keep one. I grabbed it and quickly put it on.

The other patrons reluctantly put their masks on but some were defiant, claiming that the damage was already done. If we were going to become infected, putting on a mask at this point wouldn't help.

I kept my mask on and searched for my beer, trying to keep my distance.

I searched the store, trying to find a non-alcoholic beer section, but had no luck. I approached one of the staff, who told me that there was no such section, that beer, regardless of its alcohol content (or lack thereof), was placed together on the shelves. I would just have to search for the label.

Now, anybody who knows me knows that I hate being in stores during this pandemic, especially in crowded stores. I try to get in and get out as quickly as possible. 

With the design of this nightmarish store, there were aisles upon aisles of beer, but I couldn't find the one I was looking for.

In real life, I would have seen the crowd when I first entered the store and said, "F*ck this sh*t," and walked out. But I continued to go through every shelf, even though my anxiety was through the roof.

I eventually awoke, never having found the beer.

The next morning, for real, I went to my local LCBO a half hour after it opened, and was relieved to find only two cars in the parking lot. Inside, I saw only a couple of shoppers. The employees outnumbered the patrons and everyone kept their distance.

I was able to quickly find the non-alcoholic beer section but the Ontario brew was completely sold out. Happily, though, there was plenty of that beer from the UK, so I grabbed a few bottles, plus a couple of cans of juicy, high-alcohol IPAs.

I left the store within five minutes, stress-free.

I'm not one who has vivid dreams with any kind of frequency—at least, not that I remember—but for more than six months, it seems like I have these pandemic-themed dreams every night. How about you? Are you having strange dreams?

Share them.

Monday, January 11, 2021

Virtual Pilgrimage

When DW first told me how much this was going to cost us, I balked.

"Thirty dollars a trek! I've never paid that much for an app."

The smartphone program, in question, is The Conqueror Virtual Challenges. The app tracks any distance that you cover—be it walking, running, cycling, swimming, rowing, or whatever. You can sync the app with your Fitbit, Garmin, or Apple watch, or with other fitness apps like Strava, Runkeeper, Map My Run, Fitbit, or you can even enter your distance manually.

The app is free to download. But to use it, to add a challenge—one of more than a dozen world treks—you pay for the route. DW wanted to walk the Camino de Santiago pilgrimage trail, which is more than 770 kilometres and runs from Saint-Paul-Pied-de-Port, in Southern France, crosses over the Pyrenees Mountains, and finishes in Santiago de Compostela, in northwestern Spain.

I wanted to complete the trek that runs the full length of the UK, starting in Lands End, in southwest England, and finishing in John O'Groats, at the top of Scotland. Not that I've ever really wanted to walk this 1,744-kilometre trail, but I have wanted to see more of the UK than I have so far.

We each bought both treks.

"It's still cheaper than signing up for a 10K run," said DW.

We began the Camino de Santiago trek first, measuring our daily distances on our fitness watches. DW would go for a walk around the block and has started jogging again. I have used our spin bike almost every day (I took a day off on Sunday) for most of my journey and have also added the number of steps that I take around the house to my end-of-day total. From last Tuesday until last night (Sunday), I have covered nearly 88 kilometres.

By Saturday evening, I had virtually reached the Spanish city of Pamplona. The app lets you see where you are from a street view, and I had just passed the Plaza de los Torros, the famous arena for the bullfights, and ended that day at the Plaza de Castillo, in the heart of this old city.

On Sunday, I had moved on, covering just under six kilometres and ending up at the small village of Ventosa. All of this day's journey had been achieved by walking a couple of kilometres along a nature trail and by wandering the house as I completed chores.

I was too tired to get on the bike last night.

DW and I have created a community—Bytown Blazers—and a couple of our friends have joined us. Seeing our friends gain on us or overtake us motivates us to keep moving.

(I'm way ahead of the pack, so far!)

In less than a week, I have accomplished more than 10 percent of my trek. As soon as DW and I complete the Camino de Santiago trek, we'll start off at Lands End for the next, much longer journey. I'm hoping to add outdoor cycling and kayaking to my method of covering the distance.

At the end of each journey, the makers of The Conqueror send us a medal that commemorates this journey. The cost of the two journeys and the shipping cost for the two medals is about $70, each. Still cheaper than a single organized race, as DW reminds me. And when we signed up, the creators of this app were offering a 20-percent discount, which made it even more worth it.

When we signed up, I told DW that I wasn't interested in the medal, that I don't need an award. As I see my progress and the street views of this virtual pilgrimage, I'm starting to change my mind about that.

As 2021 is also looking like a real trip isn't likely, I'd like some sort of memento that reminds me that I have virtually walked these famous trails.

If you use this app, look us up, and maybe we'll run into you.

Virtually, that is.

Friday, January 8, 2021

Don't Wait for the Perfect Sky

I used to say that I loved overcast skies when photographing the outdoors. The clouds are a great diffuser, eliminating unwanted, harsh shadows from your subjects. But what if the sky is the background of your subject or is, indeed, your actual subject?

There have been countless times that I have shot subjects to find that the sky is either blown out from harsh sunlight or, in the case of overcast skies, flat and lifeless.

In post-processing, I have used highlight recovery features in attempts to bring some definition to the sky. I have also pulled back on highlights to do the same thing. But rarely to I get the results that I've wanted.

On Monday, I wrote about how DW bought some new photo-editing apps: some, for herself, so that she could play with the competition to her company's software. But she also bought an app for me, for Christmas, to add to my arsenal of editing software.

In Monday's post, I showed the different results that I got from our various apps—Affinity Photo, Luminar AI, On1 Photo RAW 2021, and Corel PaintShop Pro (2016 and 2021)—and overall I found that I still liked PaintShop Pro the best, though I did like the preset filters and special effects of Luminar AI.

(For Wednesday's post of purple finches, however, I used Affinity, just to compare with PSP.)

For regular post-processing of my photos, I'll likely continue to use PSP. I'm most familiar with it, and as Monday's photos showed, I seemed to get some of my best results (as many of my Twitter friends attested).

As I continued to acquaint myself with Luminar AI, I found a feature that seems to solve some of my issues with blown out or flat skies, and while I won't rely on this cheat for the majority of my photos, it's a nice special-effects feature that can transform a photo.

When I want to manipulate a photo to create a particular mood, I have turned to Luminar's templates, such as sunsets, city lights, and nature, which can manipulate the amount of light, highlights, contrast, colour saturation and luminosity, and other aspects of the photo. From there, I will further tweak the settings, in the Edit mode, to suit my own preferences.

But there is a creative mode that really brings out the AI capabilities with this program, and I have used it when I've found that the sky in my photos is lacking. Luminar's AI lets you change the appearance of the sky and even add elements that aren't there. You can add the Milky Way. A bright-blue sky. A sunset.

You can enhance your sky with birds, balloons, fireworks, or planets. You can change an ordinary photo into one of fantasy and pure fiction.

In playing with these features, I used some recent photos that I shot during my holiday break. DW and I went to the ByWard Market on December 30, which was a grey, overcast day. To show you what the day actually looked like, here's the untouched photo, taken straight from RAW.

Playing with Luminar AI, I decided to add a dramatic sky that showed blue and individual clouds. Here's the result:

Standing below the totem pole that towers in front of the Ottawa School of Art, the sky was a blank canvas of pale grey, almost white. To it, I added a dramatic sunset sky.

And again, in front of the iconic Market building, there wasn't much of a sky until I played with the creative effects.


In the Jeanne d'Arc Court, I went a bit overboard, adding a dramatic sky and birds. Because my subject was some of the surreal artwork in this court, I thought I'd make a surreal sky. To me, this photo could be used as an album cover. Thoughts?

Finally, on last weekend's trek around the Fletcher Wildlife Gardens and the surrounding trails, I took a photo of the barn that lies along Prince of Wales Drive. It was in the distance and I could see it through some trees, along a path. Using my telephoto lens, I captured the image and told myself it was going to be a keeper.

I shot the photo as the sun was sinking toward the horizon, and my eye, through the camera's viewfinder, could pick up a bit of a yellow glow. But when I saw the RAW image, the light in the background was blown out. I decided to use Luminar AI with my post-processing, applying one of the sunset templates to bring back the warm glow that I had seen when I shot the photo.

It helped a bit, but not quite enough. What I saw through the viewfinder was not quite there. So I switched to the creative mode and added a sunset sky. To further bring out what I saw, I added just a touch of sunrays. In doing so, however, I had now placed the sun in the shot, through the trees, and I was certain the sun was just out of the frame when I shot it.

Oh well. The result is that the barn looks close to what I saw through the lens, though the sky is more exaggerated.

But one thing is certain: the photo is better than how it looked in its RAW format.

I've played with these features to see what Luminar AI can produce. And while I admit that some of the results are over-the-top, I will use them sparingly and, hopefully, in a way that doesn't take away from the basic essence of the photograph.

But having this tool in my box of photo-editing tricks, I know that I don't have to wait for the perfect sky to capture an image.

Happy Friday!